Published: 16 January 2026. The English Chronicle Desk. The English Chronicle Online.
The focus on preserving Bondi memorial flowers has brought together volunteers and artists in extraordinary ways. In Sydney, a team has undertaken the delicate task of transforming the 3 tonnes of flowers left at Bondi Pavilion after the tragic terror attack into a permanent tribute. The process involves drying, pressing, and cataloguing each flower to create a lasting memorial at the Sydney Jewish Museum for the fifteen victims. Volunteers began this meticulous work on Christmas Eve, navigating intense heat and humidity inside the 400-square-metre warehouse where the flowers are stored.
The warehouse quickly became a sensory challenge. At peak temperatures exceeding thirty degrees Celsius, the scent of thousands of drying blooms was overpowering. Volunteers wore masks and worked in shifts to cope with the thick air. Shannon Biederman, senior curator at the museum, coordinated the operation, employing fans, dehumidifiers, and construction fences to hang-dry flowers. She also borrowed bricks to press them flat, ensuring each bloom retained its natural colour and shape. “It’s been exhausting, it’s been hard, but it has been worth it,” Biederman explained, reflecting on the emotional and physical demands of the work.
Each flower is carefully identified, labelled, and stored. Species such as zigzag wattles, bougainvilleas, gumnuts, and Singapore orchids are catalogued and colour-coded, ensuring that none of the tributes are lost or overlooked. Volunteers say that the meticulous care offers solace to the families and communities affected, as their messages of gratitude arrive daily. “People are just so grateful that these tributes will be remembered,” Biederman said, noting the significance of preserving the community’s collective mourning and respect.
Initially, only a dozen volunteers participated, but now up to fifty come daily, some travelling hours to contribute. Tasks vary from pressing flowers to boxing and labelling them, creating a finely tuned workflow that balances efficiency with care. Alana, a volunteer who wished to be identified only by her first name, described her motivation: “I wanted to do something meaningful and useful. There is nothing more beautiful than keeping the flowers and turning them into something that ensures their memory lives on.”
The artwork, created by artist Sanadze, will eventually be displayed when the Sydney Jewish Museum reopens in early 2027. While the final composition remains undefined, Sanadze has emphasized community involvement at every stage of creation. The preserved flowers are not only intended to honor the victims but also to foster unity across Australia. “It means a lot that these flowers are preserved for posterity and serve as an expression of togetherness among Australians,” Biederman said.
The preservation process also carries a vision for regeneration. Seeds collected during drying will be replanted, symbolizing hope and continuity. Sanadze expressed her belief in the power of nature to heal: “There is nothing like a garden to give us hope for the future.” This project transforms grief into a shared, living memorial, linking remembrance with life and renewal.
The meticulous preservation and cataloguing of the Bondi memorial flowers demonstrate a rare blend of artistic skill, scientific care, and human empathy. Each bloom, whether a delicate orchid or a native wattle, now carries with it the story of resilience and remembrance. Beyond the museum walls, the project has strengthened community bonds, reminding Australians of the enduring power of collective compassion in the face of tragedy.
The initiative highlights how art can serve as both tribute and therapy. Volunteers report feelings of purpose, while families see tangible recognition of their loved ones. The artworks will permanently safeguard these ephemeral floral tributes, ensuring they continue to inspire reflection and solidarity for generations. Through this blend of preservation and artistry, the tragedy at Bondi is transformed into a testament of human care and memory.
As the final boxes of flowers are prepared for Sanadze’s installation, the project underscores the collaborative spirit of volunteers, curators, and the wider community. Their efforts have ensured that the Bondi memorial flowers are not just a fleeting display but a permanent celebration of life and unity. When the museum opens, the preserved flowers will stand as a symbol of hope, renewal, and enduring remembrance, connecting the past tragedy with the promise of future generations.



























































































