Published: March 30, 2026. The English Chronicle Desk. The English Chronicle Online—Providing trusted news and professional analysis for the UK.
Emmy-nominated actor Paapa Essiedu, currently at the centre of a global media storm following his casting as Severus Snape in the upcoming Harry Potter television reboot, has spoken candidly about his hopes for his latest project, the BBC drama Babies. The six-part series, which premieres tonight, marks a significant departure from the high-stakes fantasy of Hogwarts or the frantic pace of The Capture. Instead, it offers a raw, unflinching look at a subject that remains one of the last great taboos in modern society: the devastating and often silent experience of multiple miscarriages. Essiedu, who has faced a turbulent year marked by both career highs and the strain of online abuse, described the production as a “head f**k” in its emotional intensity, but one that he believes is essential for fostering a new kind of public conversation.
Created and directed by the BAFTA-winning Stefan Golaszewski—the mind behind the critically acclaimed Mum and Him & Her—Babies follows Lisa (played by Bodkin star Siobhán Cullen) and Stephen (Essiedu), a couple in their thirties whose lives are stalled by a cycle of hope and heartbreak. Unlike many television portrayals of pregnancy loss that rely on sudden, high-drama medical emergencies, Golaszewski’s script focuses on the “mundanity of grief.” It explores the quiet, claustrophobic moments that follow a loss: the awkwardness of a family pub lunch where a relative presents a new infant, the bland comfort food eaten in front of low-stakes television, and the isolating realization that while your world has stopped, the rest of the world continues to move on with indifferent speed.
For Essiedu, the role provided a necessary sanctuary during a period of intense personal pressure. Since being announced as the new Severus Snape, the British-Ghanaian actor has been the target of racist death threats and vitriolic “anti-woke” trolling from segments of the Harry Potter fandom. He admitted that filming Babies required a level of “emotional honesty” that felt both draining and healing. Drawing on the stories of friends and family who had shared their own “unvarnished” experiences of miscarriage, Essiedu and Cullen worked to portray a relationship that is neither idealized nor entirely broken, but one held together by a “clumsy” yet unwavering love. The actor noted that the series challenges the traditional “stiff upper lip” approach to grief, particularly for men, who often use banter as a “distancing mechanism” to avoid confronting deep-seated pain.
The timing of the series coincides with a broader movement to improve bereavement support in the UK, where it is estimated that one in five pregnancies ends in miscarriage. By bringing these stories into millions of living rooms on BBC One, the creators hope to dismantle the social pressure that discourages couples from sharing their news until the twelve-week mark—a convention that often leaves those who suffer an early loss without a support network. As the first episode prepares to air at 9 pm tonight, Essiedu’s transition from the wizarding world to the intimate, messy reality of Babies serves as a testament to his versatility. His hope is simple: that the drama will move beyond being a piece of “important television” and become a catalyst for actual change, making the “unspeakable” a little easier for the “next batch of poor souls” to navigate.



























































































